Timecode (2000, U.S.A.)

Shot in one continuous 93-minute take, Mike Figgis’ TIMECODE is a brave and audacious experiment in digital film making.

Utilising a quartered screen format, this multi-narrative drama does not rely on a script.  Instead it uses the improvisation skills of the actors based around the story of a casting session. The viewer, in effect, acts as their own editor and the four linked stories unfold, following the shallow Los Angeles characters and the ultimate murder.